The 50-passenger liner carries you from earth to an orbiting space station 200 miles up. It looks more like an aerospace plane than a rocket. Here’s an inside look at the technical background of 2001‘s space fleet: So they created vehicles that, theoretically, could be used over and over. “It wouldn’t do to have the wasteful kind of spacecraft that are used only once, like today’s,” says Frederick I. Masters’ team designed an entire system of craft, all with unique characteristics, to provide movie space travelers with all types of transportation. These space vehicles, Clarke predicts, will influence designers of real ships for years to come. Scientists at the NASA Marshall Space Flight Center, Huntsville, Ala., helped set the designs for six types of spacecraft seen in 2001. Masters had 35 set designers working under him for the job. Their suggestions were given form by art director Tony Masters at MGM’s British studios, where the movie was filmed. Consultants from the NASA Voyager program were hired to help create the spacecraft and sets. Starting five years ago, they canvassed leading scientists from many nations to find out how far into space man would venture and how he’d get there. Kubrick and his staff did painstaking research to make sure that everything they show in this incredible movie will be achievable in 33 years. Nuclear power and a highly developed, almost human computerized technology make anything possible. Children have been born there and know no other home. The earth’s natural satellite has been settled. Here he resurrects a far better world in which you find man routinely shuttling to the moon. Kubrick destroyed a mad, mad world with a nuclear-bomb orgy at the climax of his last film, Dr. Trained rescue guards stood by at all times, to help actors escape if a fire started inside the centrifuge. The wheel had to be sealed for shooting, and a special closed-circuit video system was set up to enable the director to monitor and direct the action, by radio, inside the centrifuge. Specially mounted cameras were used to create the illusion on the screen. It actually turned during filming, but not enough to create centrifugal force. The huge wheel is 60 feet in diameter and weighs 32 tons. By the end of the movie, you may be convinced yourself. Clarke, famous scientist and spinner of science- fiction tales, and producer-writer-director Stanley Kubrick, who co-authored the screenplay. The existence of such life somewhere in the universe is the absolute conviction of Arthur C. The picture ranges from the dawn of man - which is shown with the aid of a revolutionary new projection technique - to the discovery of extraterrestrial intelligent beings in outer space. They exercise in the centrifuge which is part of the Discovery, a giant space probe. Astronauts walk on the walls and ceilings in the fantastic sets of 2001. Here’s the fascinating scientific background for the scenes that the camera caught - plus some of the amazing things you don’t see on the screen that made it possible. It uses an astonishing combination of camera tricks and scientific fact to give you the closest thing possible to the actual sensations of space travel.Ģ001 shows the boldness of a new breed of heroes who conquer space to colonize the moon-and the heartbreak of death when a rescue mission fails and an astronaut becomes a satellite around the sun. That’s the feeling you get when you leave the theater after seeing 2001: A Space Odyssey, the most realistic science-adventure movie ever filmed.
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